![]() "Knowing the challenges, we proceeded to create elaborate scene descriptions that provided as much context as possible so that Kate and her camp would have a full understanding of the uses. “I sat with my clearance coordinator, and laid out all the scripted scenes for song uses that we knew of at that point," Felder explained. To that end, an extensive pitch was put together to present to the English singer and songwriter. ![]() “Which is: ‘I’m not going to sleep until I get it cleared.’” ![]() “I have a running expression I use when my showrunners feel strongly about a song select,” the music supervisor admitted. Felder knew getting Bush to sign off on the song’s use would potentially be difficult. “It immediately struck me with its deep chords of the possible connection to Max’s emotional struggles and took on more significance as Bush’s song marinated in my conscious awareness,” the music supervisor recalled. When Felder thought of “Running Up That Hill,” something clicked. Not only would it help the teenage character Max deal with the death of her brother, but it would later help save the girl’s life. ![]() “Because of that, we made sure to get script pages and footage for her to review so she could see exactly how the song would be used.”įor Stranger Things, music supervisor Nora Felder was tasked with finding a song that could become a recurring theme for multiple episodes. “Kate Bush is selective when it comes to licensing her music,” Wende Crowley, Sony Music Publishing’s SVP of creative marketing, film and TV explained to Variety. ![]()
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